The Manuscripts, Archives and Rare Books Division of the Schomburg Center for Research in Black Culture provides access to primary source materials created by and about Black people. This page will highlight collections and rare books created during the Harlem Renaissance.
The following Black Periodicals were written and created during the Harlem Renaissance and have volumes available to view in the reading room.
The Crisis: A Record of the Darker Races
Fire!!: Devoted to younger Negro Artists
Harlem, Mecca of the New Negro
Schomburg Center for Research in Black Culture, Jean Blackwell Hutson Research and Reference Division, The New York Public Library. "Invincible music. The spirit of Africa" New York Public Library Digital Collections.
135th St. Branch records, 1905-1951
Aaron Douglas papers, 1924-1939
Arthur A. Schomburg papers, 1724-1939
Aubrey Howard Bowser papers, 1885-1943
Augusta Savage papers, 1926-1987
Claude McKay collection: additions, 1912-1953
Claude McKay letters and Manuscripts, 1915-1952
Floyd Snelson scrapbook, 1929-1930
Fredi Washington papers, 1922-1981
Helene Johnson poems, 1972-1979
J. R. Ralph Casimir papers, 1919-1981
Langston Hughes collection: additions, 1929-1967
Regina Andrews Papers, 1901-1987
Schomburg Center for Research in Black Culture records, 1924-1979
Schuyler Family papers, 1915-1977 (George Schuyler)
Sister Mary Margaret Countee Cullen research materials, 1952-1961
Voices of the Renaissance collection, 1974-1977
Some times, looking at a specific copy of a text can provide surprising and interesting insight to the life of the person who owned the book. In the case of the Schomburg Center, several of the books written and acquired during the Harlem Renaissance were given directly to Arturo Schomburg, who was well acquainted with the authors. Below are a few examples of texts that were personalized for Schomburg.
"To my dear friend, Arthur A. Schomburg, valued collaborator in this and other projects, Alain Leroy Locke. December 3, 19[25]
"For Arthur A. Schomburg, with deep appreciation of his zeal in the interest of Negro writers and Negro books. Sincerely, Countee Cullen."
"To Arthur A. Schomburg. For my good friend and co-worker in the bringing of Negro literature to the world's attention. With sincere regards, James Weldon Johnson. Sept. 9, 1935."
"I write this after a very pleasant and profitable visit to the Schomburg Collection of Material relating to the Negro and his achievements in Literature and History. Aug. 7. 1934. Oscar Wegelin."
"For Arthur Schomburg, to whom every Negro writer is exceedingly indebted Eric Walrond. Sept. 21, 1926."