This section explores how maps can be used in conjunction with other historical sources, like city directories, censuses, newspapers, and photographs, to create family histories with color and context, that sheds light on the time and places people inhabited, that can be used to inform and illustrate family histories.
Fire insurance maps were born of necessity. A devastating fire in New York City in December 1835, not helped by another in July 1845, resulted in the failure of a number of local underwriters, leading to the formation of regional fire insurance companies. These companies insured a much larger number of properties, so could not always send an agent to inspect a building to assess its risk of catching fire; thus the cost of underwriting its potential loss.
In 1850, George T. Hope, the Secretary of The Jefferson Insurance Company, produced a detailed map of the properties that his company insured in New York City. Hope decided then to create a fire insurance map of the whole city. He set up a committee of fire insurance professionals to decide on standards, colors, scale, symbols, and so forth, that remained in use for over 100 years. The maps were drawn and published by English engineer William Perris as a series of atlases, Maps of the City of New York Surveyed Under the Directions of Insurance Companies of Said City (1852-1855).
Perris’s atlases were the first to describe New York City’s built environment in detail. The maps identify the names of streets and avenues, and the names and numbers of buildings; building use, including houses of worship, schools, hospitals, and government buildings; materials used in building construction, identified by color coding: pink for brick or stone residences, green for specially hazardous, yellow for frame buildings; and cultural features, like theaters and parks. The maps include information that suggests the risk of the building catching fire, described using a system of dots, designed to help the insurance company assess a fire insurance premium for a building.
The atlas key, below, from Volume 4 of Perris’s Maps of the city of New York describes the fire risk of "specially hazardous" businesses: bakers and comb makers are assessed at a lower premium, brimstone and firework manufacturers are in the highest risk bracket. Again, this information might tell us something about our ancestors’ businesses. And why were the premises of comb makers considered hazardous?
Fire insurance maps were produced all over the nation. Companies like the Sanborn Map Company and G.W. Bromley & Co. refined the maps over the course of the next 100 or so years, adding more details including identifying a building’s Borough Block and Lot number, building dimensions, number of floors, and location of architectural features, like skylights and elevators, vents, and partition walls. Fire insurance maps came to identify transit routes including subways, streetcar lines, and railroads; the location of fire hydrants; the former property boundaries of farms and estates; and old street names.
By the 1960s, modern fire insurance maps were used as a resource less by insurance companies, and more by the real estate industry, as well as researchers interested in the modern and historical built environment. Like old city directories, censuses, and ship manifests, historical fire insurance maps no longer serve their original purpose, but have taken on new life as invaluable data sources for historians and genealogists.
As we have already seen, researchers can use fire insurance maps to find historical street and building numbers, and to find clues to the location of religious and civil records in churches, and government offices. Maps can also be used to explore narratives, and illustrate family histories.
Plates 41 and 24, Maps of the city of New York / surveyed under directions of insurance companies of said city / William Perris 1853
The above clipping from Perris’ Map of the City of New York 1852-1854 describes an area bordered by Stanton to the North, Delancy to the South, Eldridge to the East, and Bowery to the West. We see an area constructed of a mix of brick and frame buildings, many with gardens or yards, and some lumber and coal yards, but not much in the way of businesses or public buildings, save a Baptist Church and school.
The neighborhood appears mostly residential. Or does it describe a time when people were working where they lived? If we cross reference addresses in the map with entries in Doggett’s New York Street Directory for 1851, we can get a sense of who lived in the area, and what they did for a living.
For instance, Doggett’s directory lists 53 people living at numbers 136 through 150, on the west side of Forsyth Street between Delancey Street and Rivington Street, an area described in the map detail below. Among the occupants of these addresses were a vegetable seller, two butchers, a nurse, a painter, a basket maker, an actor, a laborer, a porterhouse proprietor, a carman, a tailor and a tailoress, a plasterer, a weaver, two bootmakers, a tinsmith, a blacksmith, a physician, a segar maker, a paper box dealer, a seller of tea, and a chandler. Thirteen of the people listed offer no occupation. At least nine of those listed are women (some names include only initials), and all listed at those addresses are likely white. We know this because people of color are described elsewhere in the directory as "col’d."
Map bounded by Bowery, Rivington Street, Allen Street, Grand Street, Plate 24 / Perris, 1852
Searching for Augustus Gibbard, resident at 138 Forsyth, in the 1850 U.S. Federal census, we find him, age 36, a clerk, living in New York City’s Ward 10, the location of the address in the map and directory. He lives with one Mary Gibbard, 30, likely his wife, and a child, Mary, age 3. I say likely as the 1850 census does not describe relationships; that begins in 1880.
In the same building (street name and number not supplied, remember) we have Eliza Ridgeway, 46, and (possibly) her children: Albert, 18, a bookbinder; Edward, 14; Thomas, 9; Julia, 6; and a relative, Charles, 30, occupation hard to read. Are these the same people listed in Doggett’s directory as living at 138?
Bearing in mind that the census enumerator likely went from door to door on one side of the street the people listed next to the Gibbards and Ridgeways likely lived on the same side of the street. This should mean that in the dwellings on either side of those two families we might find the people listed at 138 ½ and 140 Forsyth. And we do.
Next building down (138 1/2 Forsyth) on the same census page, we see listed a number of people, including one Allen Clarke, 26, painter, who lives with his (likely) wife and children: Emma, 24; Andrew, 7; and Thomas, 5. Next door lives Nicholas Rosenbuekin, 31, a German-born basket maker, and his (likely) wife, Cooney, 32 and children John, 4; Caroline, 7; and baby Henriken, 2 months. It seems very likely that Nicholas Rosenbeukin and Nicholas Rosenpower, both basket makers, are the same person; possibly he changed his name soon after the census.
Next to the the Rosenbeukins, at 142 Forsyth Street, live the Millers: Stephen, 30 (listed in the directory); Phillip, 21 (like Stephen, a baker); and Catherine, 23. The following households confirm that the string of names in the directory matches the names in the census.
Perris’s fire insurance atlas describes 138 Forsyth as a brick or stone residential building, with a "slate or metal roof and coped." Researching this post revealed no photograph of 138, so the description in the map is a surrogate for that, the next best thing. Using a map, a directory, and a census, researchers can identify an address in New York City in the 1850 census, discover who lived there, and imagine what their home looked like that year.
Plate 8: Bounded by W. 3rd Street, Great Jones Street, E. 3rd Street, Avenue A, Essex Street, Broome Street, and West Broadway, 1911 [detail] (NYPL Digital Collections)
Plate 8 from G.W. Bromley's atlas of 1911 shows how the area had changed in the intervening 58 years, describing new features, cartographic and physical, including:
Borough, Block, and Lot numbers and building dimensions. This information helps researchers find property deeds and research the histories of their ancestors homes.
There are now fewer frame buildings and the area seems more built up, more developed.
The Bowery Mission, at 227 Bowery, a rescue mission and men’s shelter that opened in 1879 (and is still open today).
The Mills House, on Rivington, opened in 1897, the second of three hotels for poor, single men built by the philanthropist Darius Ogden Mills.
The People’s Theatre, a popular Yiddish Theatre on Bowery, reflects the neighborhood’s changing demographic as the Lower East Side becomes home to Russian Jews and Southern Italians.
Most dramatically, the New York Subway is now open.
Fire insurance maps are fantastic local history resources, and talk also of intimate biographical research. The maps describe daily life, identifying where our ancestors went to school, practiced their religion, got married, and spent their free time; the streets they walked, the shops they visited and, most important, where they and their friends and families lived. Maps illustrate and frame family history narratives.
In lieu of a photograph of a building, a fire insurance map may be the only evidence we have of the building's existence, and hint at what it looked like. Viewed over time, fire insurance maps describe physical changes, but also reflect changes in the population of the city, and where and how our ancestors lived.
Looking at the neighborhood described in Plate 8, we might consider who lived there that year. 11-13 Rivington Street, for instance, is home to Yetta Meyers, 19, below, top row, second right, from the New York Evening World, March 27, page 3. She was born in Russia to Morris Meyers and Rose Fuller. She immigrated to the United States about 1908. In 1911, she was an operator at the Triangle Shirtwaist Factory. We know Yetta lived at 11-13 Rivington because it is recorded in her death certificate, one of the few documents about her that describe her brief time in this country. How do we come to understand more about her life, when so few records are available?
Looking more closely at Plate 8 - left - we see that, in 1911, 11-13 Rivington Street is a single six-story brick tenement building. It was built in 1903 by the architects Bernstein and Bernstein, seen here in a photograph taken in 1999, and is currently a hotel. In the 1910 U.S. Census, enumerated, 11-13 was home to 48 households, most of whom were immigrants to the United States from Russia, Italy, Turkey, Hungary, and Poland.
Did Yetta visit the places described in the map? Did she go to the People’s Theatre? What show was playing the night of her birthday? Or did she go to the Rivington Street branch of the New York Public Library? Perhaps she was learning English there? Maybe on a hot summer day, she sat in the library's roof reading room? Did her nieces and nephews go to the local public school? Fire insurance maps describe cobbled streets. What noises would Yetta have heard through her window at 11-13 Rivington, as wagons and cars hit those cobbles?
Can we use the map to try and imagine the sights, sounds, and colors of Yetta’s neighborhood? Did it cater to new immigrants? Are there settlement houses? Different houses of worship? The Bowery Mission? The Mills House? What did these places do? How long had the subway been open? Did Yetta take the Delancey Street subway to work? Or was that too expensive? Did she have to walk? Was there a tram or bus? Or did she take the elevated railroad? Are there maps that describe her route? Was there a park nearby?
Now that we know the names of places in Yetta’s neighborhood, are there any pictures from that time? Can we see what people looked like then? Are those places still there? Can we visit them? Are these images that could help locate more records, or illustrate a family history? What was the building she lived in like? Are there books that describe the neighborhood? Or social conditions? Yetta's experience as an immigrant? Her life on the Lower East Side?
Whatever we find, Plate 8 from G.W. Bromley's atlas of 1911, a historical map describing space and time—the Lower East Side in 1911—has provided valuable clues to how our ancestors used to live, a jumping-off point for further investigation.
Maps allow researchers to investigate the places where our ancestors lived that have since been erased, not only in terms of the removal of buildings, but also of people. Historical maps play an essential role in reclaiming narratives lost to history, or concealed, for instanced, by racism, anti Semitism, and political agendas. Maps help to reveal that which was previously erased.
Plate 62 of the Central Park Planning Map of 1853 includes buildings that were part of an African American Community named Seneca Village, founded in 1825. It was located between 82nd and 89th Street, on the site of what became Central Park. At its peak, the community had 264 residents, three churches, a school, and two cemeteries. William Godfrey Wilson, a free African American, born around 1814, lived in the Village with his wife Charlotte and their 8 children. Wilson was the sexton of the nearby All Angels Church, and he owned his own home, a 3 story frame building, and as such was entitled to vote. Seneca Village was demolished in 1857, when the residents homes were taken through eminent domain. All Angels Church was relocated to 81st and West End Avenue, where it stood until 1890.
Central Park Planning Map: Bounded by 85th Street, 7th Avenue, 83rd Street and 8th Avenue, 1853; 1855 New York State Census, New York, New York, 22nd Ward, 3rd Election District: Line 31, William Godfrey Wilson; All Angels' Church in 1887, after the church building was physically relocated (Wikipedia article Seneca Village).