Latine Art
Latinx Art by
In Latinx Art Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore the problem of visualizing Latinx art and artists. Providing an inside and critical look of the global contemporary art market, Dávila's book is at once an introduction to contemporary Latinx art and a call to decolonize the art worlds and practices that erase and whitewash Latinx artists. Dávila shows the importance of race, class, and nationalism in shaping contemporary art markets while providing a path for scrutinizing art and culture institutions and for diversifying the art world.
Call Number: 700.98ISBN: 9781478008569Publication Date: 2020-08-14
Latinx: The New Force in American Politics and Culture by
The Latinx revolution in US culture, society, and politics "Latinx" (pronounced "La-teen-ex") is the gender-neutral term that covers one of the largest and fastest growing minorities in the United States, accounting for 17 percent of the country. Over 58 million Americans belong to the category, including a sizable part of the country's working class, both foreign and native-born. Their political empowerment is altering the balance of forces in a growing number of states. And yet Latinx barely figure in America's ongoing conversation about race and ethnicity. Remarkably, the US census does not even have a racial category for "Latino." In this groundbreaking discussion, Ed Morales explains how Latinx political identities are tied to a long Latin American history of mestizaje--"mixedness" or "hybridity"--and that this border thinking is both a key to understanding bilingual, bicultural Latin cultures and politics and a challenge to America's infamously black-white racial regime. This searching and long-overdue exploration of the meaning of race in American life reimagines Cornel West's bestselling Race Matters with a unique Latinx inflection.
Call Number: JFD 18-4167ISBN: 9781784783198Publication Date: 2018
The Sense of Brown by
The Sense of Brown is José Esteban Muñoz's treatise on brownness and being as well as his most direct address to queer Latinx studies. In this book, which he was completing at the time of his death, Muñoz examines the work of playwrights Ricardo Bracho and Nilo Cruz, artists Nao Bustamante, Isaac Julien, and Tania Bruguera, and singer José Feliciano, among others, arguing for a sense of brownness that is not fixed within the racial and national contours of Latinidad. This sense of brown is not about the individualized brown subject; rather, it demonstrates that for brown peoples, being exists within what Muñoz calls the brown commons--a lifeworld, queer ecology, and form of collectivity. In analyzing minoritarian affect, ethnicity as a structure of feeling, and brown feelings as they emerge in, through, and beside art and performance, Muñoz illustrates how the sense of brown serves as the basis for other ways of knowing and being in the world.
Call Number: 814 MUNOZISBN: 9781478012566Publication Date: 2020
Our America by
Is Latino art an integral part of modern American art? Presenting over one hundred major artworks from the Smithsonian American Art Museum, Our America seeks to "recalibrate" enduring concepts about American national culture by exploring how one group of artists--those of Latin American descent and heritage--express their relationship to American art, history, and culture. E. Carmen Ramos addresses the whole issue of the definition of "Latino art" and how this emerged within the context of the Civil Rights movement of the 1960s as American artists of Latino descent (Mexican American, Puerto Rican, Cuban American, and, more recently, Dominican) began to give a tangible face to their culture and history. Highlights include an installation altar by Amalia Mesa-Bains, the "recycled" films of Raphael Montañez Ortiz, and a 1960 geometric painting by Carmen Herrera. Other notable artists include Olga Albizu, Melesio "Mel" Casas, Maria Magdalena Campos-Pons, Margarita Cabrera, Enrique Chagoya, Teresita Fernández, Ken Gonzales-Day, Luis Jiménez, Ana Mendieta, Pepón Osorio, Sophie Rivera, Freddy Rodríguez, and John M. Valadez, among many others. Winner of first prize in the Association of Art Museum Curators (AAMC) award for excellence, 2014 Author and curator E. Carmen Ramos is the Smithsonian American Art Museum's curator of Latino art. She has organized numerous shows, including the fifth biennial at El Museo del Barrio in New York City in 2007. Tomás Ybarra-Frausto, PhD, the "grandfather" of this subject, and formerly associate director for creativity and culture at the Rockefeller Foundation in New York, has written and published extensively on US/Latino cultural issues. Accompanies an exhibition with the following venues: Smithsonian American Art Museum, Washington, DC, October 25, 2013-March 2, 2014 The Patricia and Phillip Frost Art Museum at Florida International University in Miami, FL,March 28, 2014-June 22, 2014 Crocker Art Museum in Sacramento, CA, September 21, 2014-January 11, 2015 Utah Museum of Fine Arts in Salt Lake City, UT, February 6, 2015-May 17, 2015 Arkansas Art Center in Little Rock, AR, October 16, 2015-January 17, 2016 Delaware Museum of Art in Wilmington, DE, March 5, 2016-May 29, 2016
Call Number: JQG 14-75ISBN: 9781907804441Publication Date: 2014
¡Printing the Revolution! by
A groundbreaking look at how Chicano graphic artists and their collaborators have used their work to imagine and sustain identities and political viewpoints during the past half century The 1960s witnessed the rise of the Chicano civil rights movement, or El Movimiento, and marked a new way of being a person of Mexican descent in the United States. To call oneself Chicano--a formerly derogatory term--became a political and cultural statement, and Chicano graphic artists asserted this identity through their printmaking and activism. ¡Printing the Revolution! explores the remarkable legacy of Chicano graphic arts relative to major social movements, the way these artists and their cross-cultural collaborators advanced printmaking methods, and the medium's unique role in shaping critical debates about U.S. identity and history. From satire and portraiture to politicized pop, this volume examines how artists created visually captivating graphics that catalyzed audiences. Posters and prints announced labor strikes and cultural events, highlighted the plight of political prisoners, schooled viewers in Third World liberation movements, and, most significantly, challenged the invisibility of Mexican Americans in U.S. society. While screen printing was the dominant mode of printmaking during the civil rights era, this book considers how artists have embraced a wide range of techniques and strategies, from installation art to shareable digital graphics. This book shows how artists have used and continue to use graphic arts as a means to engage the public, address social justice concerns, and wrestle with shifting notions of the term Chicano. Lavishly illustrated and featuring three double gatefolds, ¡Printing the Revolution! presents a vibrant look at the past, present, and future of an essential aspect of Chicano art. Exhibition Schedule Smithsonian American Art Museum, Washington, DC May 14-August 8, 2021 Published in association with the Smithsonian American Art Museum, Washington, DC
Call Number: JQG 21-88ISBN: 9780691210803Publication Date: 2020
Spanish Harlem by
To live in Spanish Harlem, New York's oldest barrio, is to confront some of the city's most endemic problems: crime, drugs, AIDS and chronic unemployment. Yet the mecca where Puerto Ricans first established themselves in the 1940s is now the 'capital of Hispanic America' home to 120,000 people, half of whom are Latino. Shot in the mid-to-late '80s, Joseph Rodriguez's superb photographs bring us into the heart of Spanish Harlem, capturing a spirit and a time that survives despite the ravages of poverty.
Call Number: Sc+ E 18-58ISBN: 9781576878255Publication Date: 2017
Women Artists of Color by
Critical essays on 20th-century female artists of color focus on how these distinguished artists achieved success, what makes their work important both to the art world and to their specific communities, and what influences their work is likely to have in the future. The artists are representative of four ethnic groups: African American, Asian Pacific American, Latin American, and Native American. Parallels drawn explore the similarities and differences among the artists. The early feminist art movement of the 1970's concentrated on gender with less consideration given to race or class, yet to many artists of color, ethnicity factors significantly into the shaping of their identities and to the content of their art. Women artists of color have expanded the scope of protest art, fusing the past and current history with gender and race and deconstructing stereotypical mainstream representations of their gender and ethnic identities. This presentation of artists balances older and deceased artists with the younger, emerging artists. The artistic mediums span the gamut from traditional painting and sculpture to newer forms such as video, conceptual, and performance art. These essays will appeal to a wide audience of scholars and artists interested in women's studies, art history, cultural studies, multicultural art, and art criticism. Grouped by ethnicity, artists are presented in alphabetical order. Entries include biographical information and a listing of each artist's exhibitions. Numerous photographs enhance the text.
Call Number: MAN 99-8228ISBN: 0313303746Publication Date: 1999
Latin American & Latinx visual culture [electronic resource]Publication Date: 2019-
Arte Chicano by
The first comprehensive and annotated bibliography of Chicano art created by Shifra Goldman and Tomas Ybarra-Frausto, art historians dedicated to critiquing and writing about Chicano and Latin American art.
Call Number: JQZ 12-3513ISBN: 0918520096Publication Date: 1985
